Kids Behind the Wheel

The other day, I was walking on the gravel/dirt road I live on.  It’s a back road that might see a dozen cars in a day.  As one such car passed us, I noticed that a kid was at the wheel in dad’s lap.  Proud dad, happy kid.

What is it with that?  Why, of all the adult things, do parents push their kids into that one?  Mis-asked the question.  It’s not the parents, it’s the dads.  And usually, it’s their sons, not their daughters.

Given that men are worse drivers than women (ask the insurance companies – why do you think young males pay such a high premium?), perhaps it makes sense: boys need all the practice they can get.  But surely it would be better to take them to a go-cart track.

Proud dad, happy kid.  I get the impression it’s not practice.  Is it a rite of passage to manhood?  But women can, do, and should drive as well.  There’s nothing gender-specific about driving a car.  So why would it be a rite of passage to manhood?

Maybe it’s the vroom vroom that confuses men.  It’s a surrogate roar.  They think they’re intimidating when they make a lot of noise.  (Actually they’re just annoying.  As hell.)  And they want to be intimidating because – ?

Or, also, attendant with a roar, maybe their primitive brain triggers the production of adrenaline, and the adrenaline makes them feel good.  Perhaps that explains the appeal of the Indy.  And the adolescent males who take the mufflers off their trail bikes.

Or maybe it’s the speed that confuses them, makes them feel like they’re chasing prey (or fleeing predators) and again, their primitive brain produces feel-good adrenaline.

So why doesn’t their modern brain recognize this and veto the primitive response?  Noise and speed matter little to homo sapiens living in the 21st century.

Proud dad.  Happy kid.  Oh aren’t you the grown-up.  No, you’re not.  You shouldn’t be behind the wheel until you’re sixteen and then you should approach the task with fear and trembling.  Driving is not fun.  A car is not a toy.  One wrong move and you could kill someone.

 

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The Weather Report

Does anyone else find the weather report really, really irritating?  All that drama!  It’s going to rain!  Oh how exciting!  A low pressure weather front is moving in!  Oh my, grab the kids!!

And the pseudo-scientific detail!  The rain is going to be caused by water droplets, that’s droplets of H2O, in the air that will succumb to gravity, under normal conditions, and eventually reach us, possibly at 6:20 or maybe 6:21.

Thing is, all that drama and detail distracts us from what’s really going on with the weather.  Notice the obsession with proximate causes?  Is it because if they addressed the real causes, those remote causes like CFCs and fossil fuel consumption/emission, they’d have to address blame?

 

 

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The “M” word on Prime Time TV!!!! (Misogyny; Scandal)

I’m delightfully surprised by the current season of Scandal.  I had trouble getting into the show, and actually, I’m surprised I’m still with it; catching a glimpse of a political debate between two women and  Melly’s bid for the presidency kept me involved, even though I don’t really like her, or Olivia …

And this season, Olivia’s arrogance is really off-putting, but my god, her monument or asterisk speech to Melly  – she actually used the word ‘misogyny’.  The word!  Spoken by a character on prime time tv!!  Been waiting for that for almost fifty years.

And then in a subsequent episode, Marcus takes Fitz to task for his white privilege.

And  for turning Olivia into a ‘black ho’?  Bring it on.

And that was after he lands that “Welcome to the plight of almost every successful woman in the history of mankind” remark.

 Who are these writers?  And why weren’t they on the show since the beginning?  (If I’m reading the IMDB site correctly, the writer has always been Shonda Rhimes.  Hm.)  (Perhaps no surprise.  If she’d said the ‘m’ word in the first episode, perhaps she wouldn’t’ve gotten any further.)

(Though I have to say…I worry that Olivia will set feminism back fifty years if she continues with, well, murder and blackmail.  People will say shit like ‘see what happens when we let women in power?’ conveniently forgetting every man in power that has done the same…)

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HIGHLY RECOMMENDED – Traister’s All the Single Ladies

Just at chapter 3, but I can highly recommend Rebecca Traister’s All the Single Ladies.

A few bits…

“…as the legal scholar Rachel Moran argues, while the feminist movement of the 1970s was in part a ‘direct response to these conditions of early and pervasive marriage,’ the ironic side effect was that single women had almost no place in the underpinnings of the movement” (20).  Yes!

“Le Bon conceded that ‘Without a doubt there exist some distinguished women, very superior to the average man, but they are as exceptional as the birth of any monstrosity, as, for example, of a gorilla with two heads; consequently, we may neglect them entirely'” (53).  Had not heard that one.

Oh, and this lovely tidbit: “Chambers-Schiller reports that in the medical establishment, ‘a painful  menopause was the presumed consequence of reproductive organs that were not regularly bathe din male semen'” (54).

 

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A Postscript to Why Feminist Manuscripts Don’t Get Published

So here’s a query letter my friend Chris Wind sent to a publisher recently:

Editor, [XYZ Publishers]:

Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how patriarchy works.  We need to know how women disappear….”   Indeed we do.  Where are all the straight-A girls from high school?  Why, how, have they ‘disappeared’?  Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible.  Everywhere.  Even the straight-B boys are out there.

September (fiction; 114,698w) responds to Spender’s urgent comment with a microscopic examination of the life of a single woman that is, I fear, all too typical, answering the question ‘What happened?’

Although there have been many non-fiction books since Spender that have exposed the sexism in our culture …  fiction seems not to have kept pace, seems not to be informed by the insights of those authors.  September thus helps fill an important gap (especially for those who don’t read non-fiction) …

There are three voices juxtaposed throughout the novel: the fresh, impassioned protagonist speaking in the present through her journal entries from the age of fifteen to fifty; the wise, and fighting-off-bitter, now-fifty protagonist commenting about the events of her life, talking to her younger self; and the dispassionate narrator.  Insights are underscored by alternate realities, extended ‘should’ve happeneds’ and ‘could’ve happeneds’…

And so September is part fiction, part memoir; part personal essay, part critical essay; part psychology, part philosophy, part sociology.  It is a maze of analysis in which, despite the appearance of rambling randomness, one thing leads inexorably to another.

I append below a bio, synopsis, and sample; I am submitting this query to a few other publishers.

Thank you for your consideration, and I do hope to hear you’d like to read more!

Bio:  Chris Wind (M.A., Philosophy; B.A., Literature) has published four collections of poetry (Paintings and Sculptures, UnMythed, Soliloquies: the lady doth indeed protest and dreaming of kaleidoscopes).  Her prose and poetry has appeared in several journals and magazines (including Prism International, Ariel, Bogg, Canadian Woman Studies, The University of Toronto Review, Hysteria, The Wascana Review, The Antigonish Review, event, The New Quarterly, The Humanist, f.(L)ip, Waves, grain, Canadian Author & Bookman, cv2, Atlantis, and Herizons) as well as anthologies (including Contemporary Monologues for Young Women).  Several of her short theatrical works have been performed, and her stories have been read on CBC Radio (the Canadian equivalent to the BBC).  She has been awarded sixteen Ontario (Canada) Arts Council grants.

And this is the rejection letter she received:

Thank you for submitting your fiction proposal to [XYZ Publishers].

Unfortunately, we don’t think Women of Ideas and What Men Have Done to Them is a good fit for our list at this time. …

Sincerely,

Gregg [Somebody, XYZ Publishers]

I don’t know what’s worse, that he didn’t read the letter (or even the first line) very carefully (let alone, one has to assume, the enclosed sample) or that he didn’t recognize Spender’s work.

 

 

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Toller Cranston on Janet Lynn

[Obviously written a while ago, and yet … this shit keeps being said.]

 

Toller Cranston, as Janet Lynn takes the ice: “You wouldn’t know by looking at her that she’s a housewife and mother of three.”

What?

Would he have said of Kurt Browning, “You wouldn’t know by looking at him that he does stuff around the house and is a father of three”??

I think not.

Clearly Cranston thinks that – well, I don’t know what the hell he thinks.  That doing stuff around the house is somehow incompatible with – skating?  I’ll grant that being a parent could deplete one’s energy to the point that maintaining an elite level of athletic performance is unlikely, but that would apply only if the kids were a certain age and only if one didn’t have any assistance – and it would apply to men as well as women.

I suspect he has some stereotype of housewife and mother in his mind that Lynn didn’t fit.  Perhaps that of a ditsy simpleton or an unkempt troll.

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Why Feminist Manuscripts Aren’t Getting Published Today – McSweeney’s List

https://www.mcsweeneys.net/articles/why-feminist-manuscripts-arent-getting-published-today

 

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How Being in Public Feels: Men VS Women – GREAT VIDEO!

https://gendertrender.wordpress.com/2017/07/08/how-being-in-public-feels-men-vs-women/

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The Academy Awards – why sex-segregated for acting?

Why is the acting category of the Academy Awards sex-segregated (Best Actor in a Lead/Supporting Role, Best Actress in a Leading/Supporting Role)?  We don’t have separate awards for male and female directors. Or screenwriters, cinematographers, costume designers, film editors, soundtrack composers, or make up persons.

Is one’s sex really relevant to one’s acting ability? In a way that justifies separate awards?

Of course not.

My guess is that it’s because the award isn’t really for the actor/actress, but for the character portrayed.  Probably partly because most people can’t distinguish the two.  I’ll bet George Clooney still gets asked what to do by moms whose kid has a fever.

Even so, why do we have separate categories?

Because if we didn’t, women would never win.  Not because they’re worse actors (remember the award isn’t for acting ability), but because we honor the heroes.  And women never get to play hero.

 

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Women Now Empowered … GREAT ONION PIECE

http://www.theonion.com/article/women-now-empowered-by-everything-a-woman-does-1398

 

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